Contact
For corrections, archive questions, or editorial inquiries, the channels below are the working contact points for the site.
Corrections
The most useful messages to receive are corrections. If you find an error of fact on any page, please send the specific page URL and the correct information, with a source if possible. Corrections are made promptly and acknowledged on the page where the change was needed.
Particularly welcome: corrections from people who worked on the film or who have direct knowledge of the production, the cast, or the period. The published record on a mid-budget 2014 European production is patchier than it should be, and primary-source corrections improve the archive's accuracy substantially.
Archive material
If you have material from the original 2013–2015 promotional site — screenshots, downloaded pages, promotional images, press releases — that has not been preserved in the public web archive, we would be glad to consider it for inclusion in the restored archive section.
Material from the film's actual production — call sheets, set photographs, behind-the-scenes documentation — is similarly welcome, with appropriate attribution and only with the originator's permission.
Editorial inquiries
For questions about the editorial coverage, requests to discuss the film for journalistic purposes, or suggestions for additional coverage areas, the same contact channel applies.
What this contact form is not
This is not a distribution or rights inquiry channel. The site is not affiliated with the film's distributors. We cannot provide screening links, press kits, or rights clearances. For those inquiries, the film's current European distributor is the right starting point.
This is also not a fan engagement channel in the social-media sense. The site does not maintain social accounts, run giveaways, or operate as a promotional arm of the film. Messages along those lines will not receive responses.
Contact channel
Email: editorial [at] redirectedmovie.com
Responses typically arrive within five working days. Corrections of urgent factual errors are prioritised.